As a debut author, the question I hear most often is: “How did you get your book published? Is it hard to do?” Great question. With the explosion of digitally downloadable books and the shift away from brick and mortar book stores, getting that first publishing deal is tougher than ever.
No matter how good a writer you are, it’s no longer enough to have an intriguing story, a cast of engaging characters or a unique setting. You’ve also got to have the patience of a saint, the endurance of a long distance runner, and the stubbornness of a wide awake toddler at bedtime. So for those inquiring minds who want to know, here, in brief, is my by-the-numbers journey from that first keystroke to the release of my debut novel, The Book Club Murders.
150,000
I completed my Masters in Education in May 2010, with an eye to pursuing a long deferred dream of changing careers from marketing to teaching middle school. Unfortunately, the economy was sagging and no one could get a school levy passed. Since I couldn’t find a full time job, I began teaching English part time at a local community college. A couple of sections of Comp II kept me off the streets but didn’t fill my calendar. With time on my hands I began the first draft of a story idea I’d been kicking around for years, a mystery about desperate housewives, a dysfunctional book club, and a stubborn redhead with a flair for detection. I began writing during the Thanksgiving holiday break and completed a first draft in late January of 2011.
The problem? I had no idea what I was doing. Sure, I knew the mechanics of plot arcs, exposition and character development. I’ve read thousands of mysteries and thrillers; certainly I was an expert in what makes a good page turner. What I failed to do was a single jot of market research. What was selling? What were the rules defining genres? Most importantly, what were the guidelines for word count?
Adrift in a happy sea of ignorance, I hammered away. Every imagined encounter between any of my characters went onto the page. Every possible dialog, miles of back story, reams of description, away I churned. It felt so damned good. It had been years since I’d experienced the writing rush.
When I was finished, I had produced an opus of 150,000 words, 85 chapters, and over 40 characters. To put it in perspective, the average cozy mystery comes in at about 75,000 words. Ouch.
141
I spent the next few months slashing and burning, managing to trim the book down to 110,000 words. Sadder but wiser, I first researched the proper methods for acquiring an agent and then began querying in earnest in March 2011.
Between that first attempt and a joyous day in May 2014, I queried 141 agents. Those were a long 3 years. Most of those letters went unanswered or elicited a form rejection. But lucky for me, a handful of generous spirits responded with reasons why they were rejecting me. I devoured those comments, using every particle of advice to further trim and reorganize my rambling novel. I wish I could buy those lovely people a coffee and tell them how much their few words helped me. After dozens of disappointments, and having found at last the tidy house within my messy mansion, I signed with the amazing Curtis Russell at the even more amazing PS Literary Agency. Success tasted sweet, but my work was just beginning.
21
My agent took me on with the proviso that I be willing to do yet more revision. Seriously? Bring on the constructive critiques, please. His insights helped me clarify and crystallize all the problems still inherent in my book. Another massive overhaul involving the removal of yet more characters and extraneous crap got me down to 80,000 words and 30 chapters.
Curtis began submitting the manuscript to a handful of publishers in October 2014. These rejections were wonderful, because they nearly all came with loads of specific comments about what wasn’t working. The verdict? My book was still floating between genres, part soft boiled, part cozy, with a smattering of police procedural. The answer? Keep it cozy, of course. Another revision down to 78,000 words, more submissions, and FINALLY an offer! We signed a three-book deal with Random House Alibi in December 2015, with a release date of Book One in September 2016.
95%
It’s all about mobile devices these days. Genre fiction—romance, historical novels, fantasy, thrillers, westerns, the many subsets of the mystery world—we all know they’re more popular today than ever before. But did you know that 95% of all genre fiction is purchased digitally, either in ebook or audio format? That breathtaking statistical reality is driving the creation of digital imprints such as Alibi. New books from new authors like me are almost always published digitally now. If we catch on (fingers crossed!), then we might get a paperback release. Catching on depends heavily on social media, like the blog page you’re reading right now. Without the many lovers of books who write about reading and the people who love to read, new authors wouldn’t stand a chance. Thank you, most humbly.
So, let’s sum up. From the time the first word hit my laptop screen in November 2011 until The Book Club Murders release date of September 27, 2016, that’s—Whoa.
4 years 11 months.
So, what’s the hardest part about getting published? Well, the rejections aren’t much fun. But to quote a famous Heartbreaker, the waiting is the hardest part.
No matter how good a writer you are, it’s no longer enough to have an intriguing story, a cast of engaging characters or a unique setting. You’ve also got to have the patience of a saint, the endurance of a long distance runner, and the stubbornness of a wide awake toddler at bedtime. So for those inquiring minds who want to know, here, in brief, is my by-the-numbers journey from that first keystroke to the release of my debut novel, The Book Club Murders.
150,000
I completed my Masters in Education in May 2010, with an eye to pursuing a long deferred dream of changing careers from marketing to teaching middle school. Unfortunately, the economy was sagging and no one could get a school levy passed. Since I couldn’t find a full time job, I began teaching English part time at a local community college. A couple of sections of Comp II kept me off the streets but didn’t fill my calendar. With time on my hands I began the first draft of a story idea I’d been kicking around for years, a mystery about desperate housewives, a dysfunctional book club, and a stubborn redhead with a flair for detection. I began writing during the Thanksgiving holiday break and completed a first draft in late January of 2011.
The problem? I had no idea what I was doing. Sure, I knew the mechanics of plot arcs, exposition and character development. I’ve read thousands of mysteries and thrillers; certainly I was an expert in what makes a good page turner. What I failed to do was a single jot of market research. What was selling? What were the rules defining genres? Most importantly, what were the guidelines for word count?
Adrift in a happy sea of ignorance, I hammered away. Every imagined encounter between any of my characters went onto the page. Every possible dialog, miles of back story, reams of description, away I churned. It felt so damned good. It had been years since I’d experienced the writing rush.
When I was finished, I had produced an opus of 150,000 words, 85 chapters, and over 40 characters. To put it in perspective, the average cozy mystery comes in at about 75,000 words. Ouch.
141
I spent the next few months slashing and burning, managing to trim the book down to 110,000 words. Sadder but wiser, I first researched the proper methods for acquiring an agent and then began querying in earnest in March 2011.
Between that first attempt and a joyous day in May 2014, I queried 141 agents. Those were a long 3 years. Most of those letters went unanswered or elicited a form rejection. But lucky for me, a handful of generous spirits responded with reasons why they were rejecting me. I devoured those comments, using every particle of advice to further trim and reorganize my rambling novel. I wish I could buy those lovely people a coffee and tell them how much their few words helped me. After dozens of disappointments, and having found at last the tidy house within my messy mansion, I signed with the amazing Curtis Russell at the even more amazing PS Literary Agency. Success tasted sweet, but my work was just beginning.
21
My agent took me on with the proviso that I be willing to do yet more revision. Seriously? Bring on the constructive critiques, please. His insights helped me clarify and crystallize all the problems still inherent in my book. Another massive overhaul involving the removal of yet more characters and extraneous crap got me down to 80,000 words and 30 chapters.
Curtis began submitting the manuscript to a handful of publishers in October 2014. These rejections were wonderful, because they nearly all came with loads of specific comments about what wasn’t working. The verdict? My book was still floating between genres, part soft boiled, part cozy, with a smattering of police procedural. The answer? Keep it cozy, of course. Another revision down to 78,000 words, more submissions, and FINALLY an offer! We signed a three-book deal with Random House Alibi in December 2015, with a release date of Book One in September 2016.
95%
It’s all about mobile devices these days. Genre fiction—romance, historical novels, fantasy, thrillers, westerns, the many subsets of the mystery world—we all know they’re more popular today than ever before. But did you know that 95% of all genre fiction is purchased digitally, either in ebook or audio format? That breathtaking statistical reality is driving the creation of digital imprints such as Alibi. New books from new authors like me are almost always published digitally now. If we catch on (fingers crossed!), then we might get a paperback release. Catching on depends heavily on social media, like the blog page you’re reading right now. Without the many lovers of books who write about reading and the people who love to read, new authors wouldn’t stand a chance. Thank you, most humbly.
So, let’s sum up. From the time the first word hit my laptop screen in November 2011 until The Book Club Murders release date of September 27, 2016, that’s—Whoa.
4 years 11 months.
So, what’s the hardest part about getting published? Well, the rejections aren’t much fun. But to quote a famous Heartbreaker, the waiting is the hardest part.
This post first appeared 9/28/2016 on The Ninja Librarian.